| Contemporizing the National Style in Chinese Animation: The Case of Nezha (2019) TW Whyke, JL Mugica, MS Brown Animation 16 (3), 157-174, 2021 | 16 | 2021 |
| An analysis of cultural dissemination and national image construction in Chinese influencer Li Ziqi’s vlogs and its impact on international viewer perceptions on YouTube TW Whyke, ZT Chen, J Lopez-Mugica The Journal of Chinese Sociology 9 (1), 14, 2022 | 9 | 2022 |
| Content and discourse analysis of cruelty towards stray dogs as presented in Chinese social media TW Whyke, J López-Múgica society & animals 31 (2), 139-158, 2020 | 7 | 2020 |
| Double consciousness of Chinese modernity: in the cosmopolitan ruins of Shanghai J Lopez-Mugica, TW Whyke Fudan Journal of the Humanities and Social Sciences 15 (3), 411-435, 2022 | 5 | 2022 |
| Calling for a Hero: The Displacement of the Nezha Archetypal Image from Chinese Animated Film Nezha Naohai (1979) to New Gods: Nezha Reborn (2021) TW Whyke, JL Mugica Fudan Journal of the Humanities and Social Sciences 15 (3), 389-409, 2022 | 5 | 2022 |
| The Rite of Passage and Digital Mourning in Fang Fang’s Wuhan Diary TW Whyke, J Lopez-Mugica, ZT Chen Global Media and China 6 (4), 443-459, 2021 | 5 | 2021 |
| Love, Friendship, Fraternity, and Sexual Pleasure Between Men in Pu Songling’s Qing Dynasty Tale Huang Jiulang (c. 1740) TW Whyke, JL Mugica Sexuality & Culture 26 (3), 974-993, 2022 | 2 | 2022 |
| La contemporaneidad transcultural de la pintura de Juan Baños en China J López-Múgica Trans/form/ação 45, 101-124, 2022 | 1 | 2022 |
| Contemporary Chinese creatives as literati B Liboriussen, J Lopez-Mugica, A White Routledge Handbook of Cultural and Creative Industries in Asia, 153-165, 2018 | 1 | 2018 |
| Scripted resonance or lost in translation?: Storytelling and Chinese reception of Everything Everywhere All at Once A Wang, TW Whyke, J Lopez-Mugica Journal of Screenwriting, 2024 | | 2024 |
| The Fluidity of Soft Power in YouTube’s Broadcasting of the Beijing 2022 Winter Olympic Games A White, T Whyke, JL Mugica, L Dean Global Media and Communication, 2024 | | 2024 |
| Representations of Post-Industrial Shanghai: Industrial Chronotopes in Documentary Photography JL MUGICA, TW WHYKE Asian Studies 12 (1), 355-387, 2024 | | 2024 |
| The Impact of China’s Biopolitical Approach to COVID-19 on Pets TW Whyke, JL Mugica, S Jamil, A Wang Asian Studies 11 (3), 93-127, 2023 | | 2023 |
| Cashing the pink RMB through docile bodies: queering paradox of erotic entrepreneurs on Chinese social media platforms ZT Chen, TW Whyke, J Lopez-Mugica, AY Peng Humanities and Social Sciences Communications 10 (1), 1-12, 2023 | | 2023 |
| Reimagining Affection in a Changing Shanghai: A Rhizomatic Young Cartography of Birdhead’s Contemporary Photography JL Mugica, TW Whyke Asian Studies 11 (2), 263-294, 2023 | | 2023 |
| Investigating Media Coverage and Public Perceptions of the HPV Vaccine in China–A Content Analysis of Weibo Posts J Hu, TW Whyke, J Lopez-Mugica Sexuality & Culture 27 (2), 363-388, 2023 | | 2023 |
| Unboxing the Chinese Blind Boxes among China’s grown-up missing children: Probabilistic and elastic prosumption through mediated collection, exchange and resale of figurines TW Whyke, ZT Chen, J Lopez-Mugica, A Wang Global Media and China 8 (1), 93-111, 2023 | | 2023 |
| Correction to: Investigating Media Coverage and Public Perceptions of the HPV Vaccine in China–A Content Analysis of Weibo Posts (Sexuality & Culture,(2023), 27, 2,(363-388 … J Hu, TW Whyke, J Lopez‑Mugica Sexuality and Culture 27 (2), 389, 2023 | | 2023 |
| Transcultural contemporaneity in the paintings of Juan Baños in China. J Lopez-Mugica Trans/Form/Ação 45, 101-124, 2022 | | 2022 |
