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Brian Bridges
Brian Bridges
Research Director (Music, Drama, Film/Screen), Senior Lecturer (Music/Audio), Ulster University
Verified email at ulster.ac.uk - Homepage
Title
Cited by
Cited by
Year
Gesture and Embodied Metaphor in Spatial Music Performance Systems Design.
R Graham, B Bridges
NIME, 581-584, 2014
232014
Mapping for meaning: the embodied sonification listening model and its implications for the mapping problem in sonic information design
S Roddy, B Bridges
Journal on Multimodal User Interfaces 14 (2), 143-151, 2020
222020
Managing Musical Complexity with Embodied Metaphors
R Graham, B Bridges
Proceedings of the International Conference on New Interfaces for Musical …, 2015
192015
Addressing the mapping problem in sonic information design through embodied image schemata, conceptual metaphors, and conceptual blending
S Roddy, B Bridges
Journal of Sonic Studies, 2018
152018
Sounding human with data: The role of embodied conceptual metaphors and aesthetics in representing and exploring data sets
S Roddy, B Bridges
MusTWork16–Music Technology Workshop 2016: Establishing a Partnership …, 2016
142016
Accessibility and dimensionality: enhanced real time creative independence for digital musicians with quadriplegic cerebral palsy
B McCloskey, B Bridges, F Lyons
Proceedings of the International Conference on NIME, Louisiana, USA. June …, 2015
142015
SceneMaker: Creative technology for digital storytelling
M Akser, B Bridges, G Campo, A Cheddad, K Curran, L Fitzpatrick, ...
Interactivity, Game Creation, Design, Learning, and Innovation: 5th …, 2017
112017
Sound, ecological affordances and embodied mappings in auditory display
S Roddy, B Bridges
New Directions in Third Wave Human-Computer Interaction: Volume 2 …, 2018
102018
Exploring pitch and timbre through 3d spaces: embodied models in virtual reality as a basis for performance systems design
R Graham, B Bridges, C Manzione, W Brent
International Conference on New Interfaces for Musical Expression (NIME …, 2017
102017
The design of a smart city sonification system using a conceptual blending and musical framework, web audio and deep learning techniques
S Roddy, B Bridges
International Conference on Auditory Display 25-28 June 2021, 105-110, 2021
42021
Electroacoustic Music as Embodied Cognitive Praxis: Denis Smalley’s theory of spectromorphology as an implicit theory of embodied cognition
B Bridges, R Graham
EMS15 The Art of Electroaoustic Music, 2015
42015
Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design
R Graham, B Bridges
CeReNeM Journal/Divergence Press 3 (3), 2015
42015
WithFeelVR: the spatial and textural affordances of VR as a mapping strategy for an accessible digital musical instrument
L Smith, F Lyons, B Bridges, R Casey
Proceedings of the International Computer Music Conference 2022: Standing …, 2022
22022
Sound Spatialization
E Bates, B Bridges, A Melvin
Foundations in Sound Design for Interactive Media, 141-160, 2019
22019
Competing Attractions, Orbital Decay and the Music of the Spheres: Force–based relational dynamics for organizing space and timbre in performance using physical modelling
R Graham, B Bridges
Korean Electro-Acoustic Music Society Annual Conference, 2016
22016
Mapping and Meaning: embodied metaphors and non–localised structures in performance system design
R Graham, B Bridges
Re–New 2013 Conference Proceedings, 2013
22013
Meaning-making and embodied cognition in sound design research
S Roddy, B Bridges
Doing research in sound design, 21-36, 2021
12021
Music Theory for Sound Designers
A Melvin, B Bridges
Foundations in Sound Design for Linear Media, 227-247, 2019
12019
Can Harmony Be Non-Linear? Issues in Microtonal Composition and Perception in Response to Glenn Branca's '25 Questions'
B Bridges
Society for Musicology in Ireland Annual Conference, 2008
1*2008
Editorial Ubiquitous Music as a Movement
D Keller, M Messina, B Bridges, A Yaseen
International Symposium on Ubiquitous Music 2023, v-x, 2023
2023
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