Kıvanç Tatar
TitleCited byYear
MASOM: A Musical Agent Architecture based on Self-Organizing Maps, Affective Computing, and Variable Markov Models.
K Tatar, P Pasquier
5th International Workshop on Musical Metacreation (MuMe 2017), 2017
92017
RANKING-BASED EMOTION RECOGNITION FOR EXPERIMENTAL MUSIC
J Fan, K Tatar, M Thorogood, P Pasquier
The 18th International Society for Music Information Retrieval Conference, 2017
82017
Musical agents: A typology and state of the art towards Musical Metacreation
K Tatar, P Pasquier
Journal of New Music Research 48 (1), 56-105, 2019
72019
Attending to breath: Exploring how the cues in a virtual environment guide the attention to breath and shape the quality of experience to support mindfulness
M Prpa, K Tatar, J Françoise, B Riecke, T Schiphorst, P Pasquier
Proceedings of the 2018 Designing Interactive Systems Conference, 71-84, 2018
72018
The Pulse Breath Water System: Exploring Breathing as an Embodied Interaction for Enhancing the Affective Potential of Virtual Reality
M Prpa, K Tatar, B Riecke, P Pasquier
Virtual, Augmented and Mixed Reality, 9th International Conference, VAMR …, 2017
52017
Automatic Synthesizer Preset Generation with PresetGen
K Tatar, M Macret, P Pasquier
Journal of New Music Research 45 (2), 124-144, 2016
52016
Respire: a Breath Away from the Experience in Virtual Environment
M Prpa, T Schiphorst, K Tatar, P Pasquier
Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing …, 2018
12018
REVIVE: An Audio-visual Performance with Musical and Visual AI Agents
K Tatar, P Pasquier, R Siu
Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing …, 2018
12018
Quantitative analysis of the impact of mixing on perceived emotion of soundscape recording
J Fan, M Thorogood, K Tatar, P Pasquier
Proceedings of the 15th sound and music computing, Limassol, Cyprus, 2018
12018
Respire: Virtual Reality Art with Musical Agent Guided by Respiratory Interaction
K Tatar, M Prpa, P Pasquier
Leonardo Music Journal, 19-24, 0
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