Marcelo M. Wanderley

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Joseph MallochAssistant Professor, Dalhousie UniversityVerified email at mail.mcgill.ca
Stephen SinclairNonnegativ SolutionsVerified email at nonnegativ.com
Bradley VinesDirector of Neuroscience, Nielsen Consumer NeuroscienceVerified email at nielsen.com
Caroline PalmerProfessor, Psychology, McGill UniversityVerified email at mcgill.ca
Andy HuntUniversity of YorkVerified email at york.ac.uk
Daniel J. LevitinMinerva Schools at Keck Graduate InstituteVerified email at minerva.kgi.edu
sylvie gibetUniversité de Bretagne SudVerified email at univ-ubs.fr
Carol Lynne KrumhanslCornell UniversityVerified email at cornell.edu
Mark T. MarshallSenior Lecturer at Sheffield Hallam UniversityVerified email at shu.ac.uk
Marcello GiordanoResearch Scientist, Chatham Labs Inc.Verified email at chathamlabs.com
Ian HattwickPhD Researcher, Mcgill UniversityVerified email at mail.mcgill.ca
Alexander Refsum JenseniusUniversity of Oslo, Department of Musicology, RITMOVerified email at imv.uio.no
Eduardo R MirandaProfessor of Computer Music, Plymouth UniversityVerified email at plymouth.ac.uk
Doug Van NortYork UniversityVerified email at yorku.ca
Stéphane HuotSenior Researcher (Directeur de Recherche) at InriaVerified email at inria.fr
Ioana M. DalcaQueen Mary University of LondonVerified email at qmul.ac.uk
Carolina Brum MedeirosCIRMMTVerified email at mail.mcgill.ca
Frederic BevilacquaIRCAM ParisVerified email at ircam.fr
Ivan FrancoMcGill UniversityVerified email at mail.mcgill.ca
Alfonso Perez-CarrilloUniversitat Pompeu FabraVerified email at upf.edu

Marcelo M. Wanderley

Professor - McGill University, INRIA International Chair

Verified email at mcgill.ca - Homepage

new interfaces for musical expression NIME music technology sound and music computing


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New digital musical instruments: control and interaction beyond the keyboard ER Miranda, MM Wanderley AR Editions, Inc., 2006	626*	2006
The importance of parameter mapping in electronic instrument design A Hunt, MM Wanderley, M Paradis Journal of New Music Research 32 (4), 429-440, 2003	458	2003
Gesture-music C Cadoz, MM Wanderley	428	2000
Evaluation of input devices for musical expression: Borrowing tools from hci MM Wanderley, N Orio Computer Music Journal 26 (3), 62-76, 2002	415	2002
Cross-modal interactions in the perception of musical performance BW Vines, CL Krumhansl, MM Wanderley, DJ Levitin Cognition 101 (1), 80-113, 2006	373	2006
Gestural control of sound synthesis MM Wanderley, P Depalle Proceedings of the IEEE 92 (4), 632-644, 2004	330	2004
The musical significance of clarinetists' ancillary gestures: An exploration of the field MM Wanderley, BW Vines, N Middleton, C McKay, W Hatch Journal of New Music Research 34 (1), 97-113, 2005	298	2005
Musical gestures: Concepts and methods in research AR Jensenius, MM Wanderley Musical Gestures, 24-47, 2010	253	2010
Mapping performer parameters to synthesis engines A Hunt, MM Wanderley Organised sound 7 (2), 97, 2002	253	2002
Trends in gestural control of music M Wanderley, M Battier Ircam, 2000	253*	2000
Instrumental gestural mapping strategies as expressivity determinants in computer music performance JB Rovan, MM Wanderley, S Dubnov, P Depalle Kansei, The Technology of Emotion. Proceedings of the AIMI International …, 1997	246	1997
Action-based effects on music perception PJ Maes, M Leman, C Palmer, M Wanderley Frontiers in psychology 4, 1008, 2014	219	2014
Towards a model for instrumental mapping in expert musical interaction A Hunt, MM Wanderley, R Kirk ICMC, 2000	208	2000
Quantitative analysis of non-obvious performer gestures MM Wanderley International Gesture Workshop, 241-253, 2001	180	2001
Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance BW Vines, CL Krumhansl, MM Wanderley, IM Dalca, DJ Levitin Cognition 118 (2), 157-170, 2011	130	2011
Gestural control of music MM Wanderley International Workshop Human Supervision and Control in Engineering and …, 2001	121	2001
Evaluation of commercial force-sensing resistors A Hollinger, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2006	119	2006
Towards a dimension space for musical devices D Birnbaum, R Fiebrink, J Malloch, MM Wanderley Proceedings of the 2005 conference on New interfaces for musical expression …, 2005	118	2005
Music and Motion——How Music-Related Ancillary Body Movements Contribute to the Experience of Music M Nusseck, MM Wanderley Music Perception 26 (4), 335-353, 2009	114	2009
Towards a new conceptual framework for digital musical instruments J Malloch, D Birnbaum, E Sinyor, MM Wanderley Proceedings of the 9th international conference on digital audio effects, 49-52, 2006	106	2006

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