| Gesture and Embodied Metaphor in Spatial Music Performance Systems Design. R Graham, B Bridges NIME, 581-584, 2014 | 23 | 2014 |
| Managing musical complexity with embodied metaphors. R Graham, B Bridges NIME, 103-106, 2015 | 20 | 2015 |
| Exploring pitch and timbre through 3d spaces: embodied models in virtual reality as a basis for performance systems design R Graham, B Bridges, C Manzione, W Brent International Conference on New Interfaces for Musical Expression (NIME …, 2017 | 10 | 2017 |
| The soundfield as sound object: Virtual reality environments as a three-dimensional canvas for music composition R Graham, S Cluett Audio engineering society conference: 2016 AES international conference on …, 2016 | 10 | 2016 |
| SEPTAR: Audio breakout circuit for multichannel guitar R Graham, J Harding Proc: NIME Conference Proceedings. Louisiana, USA. June 2015. 2015, 1-4, 2015 | 8 | 2015 |
| A live performance system in pure data: Pitch contour as figurative gesture R Graham, M Mus Proceedings of the annual pure data convention, 2001 | 8 | 2001 |
| Expansion of electronic guitar performance practice through the application and development of interactive digital music systems R Graham University of Ulster, 2012 | 6 | 2012 |
| 42K influx and 14C photosynthate in wheat roots with localised potassium supply. GF Lean, RD Graham, GD Bowen | 6 | 1974 |
| Uranium and graphite PCS Hayfield, RL Graham, G Ramshaw Institute of Metals, London 29, 1962 | 5 | 1962 |
| Electroacoustic Music as Embodied Cognitive Praxis: Denis Smalley’s theory of spectromorphology as an implicit theory of embodied cognition B Bridges, R Graham EMS15 The Art of Electroaoustic Music, 2015 | 4 | 2015 |
| Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design R Graham, B Bridges | 4 | 2014 |
| Competing Attractions, Orbital Decay and the Music of the Spheres: Force–based relational dynamics for organizing space and timbre in performance using physical modelling R Graham, B Bridges Korean Electro-Acoustic Music Society Annual Conference, 2016 | 2 | 2016 |
| Mapping and Meaning: Embodied Metaphors and Non–localized Structures in Performance System Design R Graham, B Bridges Re-New 2013 Proceedings 1 (1), 216-222, 2013 | 2 | 2013 |
| The Effects of Polyphonic Technology on Contemporary Electric Guitar Performance R Graham Proceedings from SMI Postgraduate Conference, DIT (Dublin), 6-8, 2010 | 2 | 2010 |
| Environmental Histories and Personal Memory: Collaborative Works in Sonification and Virtual Reality R Graham Leonardo Music Journal 27, 51-53, 2017 | 1 | 2017 |
| Is This Guitar Talking or What!? M Astrinaki, L Reboursière, A Moinet, N D’alessandro, T Dutoit Proc. eNTERFACE 12, 2012 | 1 | 2012 |
| CTRL: A Flexible, Precision Interface for Analog Synthesis J Harding, R Graham, E Park NIME 2018: Proceedings of the international conference on new interfaces for …, 2018 | | 2018 |
| Sounding Metaphors in Early Electronic Music’s History: the Interaction of Technological Affordances, Conceptual Metaphors and Aesthetics B Bridges, R Graham Ideopreneurial Entrephonics II: A Festival of Sound Art and Electronic …, 2016 | | 2016 |
| 42K and 14C photosynthate in wheat roots with localised potassium supply GF Lean, RD Graham, GD Bowen Bull R Soc NZ, 1974 | | 1974 |
| Category: Conference B Bridges, R Graham | | |
Brian BridgesResearch Director (Music, Drama, Film/Screen), Senior Lecturer (Music/Audio), Ulster UniversityVerified email at ulster.ac.uk
