Catherine J (Kate) Stevens

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Emery SchubertUniversity of New South WalesAdresse e-mail validée de unsw.edu.au
Peter E. KellerMARCS Institute for Brain, Behaviour & Development, University of Western SydneyAdresse e-mail validée de westernsydney.edu.au
Kirk N. OlsenPostdoctoral Researcher, Macquarie UniversityAdresse e-mail validée de mq.edu.au
Denis BurnhamWestern Sydney UniversityAdresse e-mail validée de westernsydney.edu.au
Mary C. BroughtonSchool of Music, University of QueenslandAdresse e-mail validée de uq.edu.au
Mark WigginsProfessor of Organisational Psychology, Macquarie UniversityAdresse e-mail validée de mq.edu.au
Guillaume GibertLecturer, ECAMAdresse e-mail validée de ecam.fr
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISAdresse e-mail validée de westernsydney.edu.au
Beatriz Calvo-MerinoCity, University of LondonAdresse e-mail validée de city.ac.uk
Christian KroosFraunhofer Institute for Integrated CircuitsAdresse e-mail validée de iis.fraunhofer.de
Emily S. CrossMacquarie University & University of GlasgowAdresse e-mail validée de glasgow.ac.uk
Christopher (Chris) StantonUniversity of Western Sydney, MARCS InstituteAdresse e-mail validée de uws.edu.au
Arman AbrahamyanData ScientistAdresse e-mail validée de cba.com.au
Yuka O. OkazakiRIKENAdresse e-mail validée de brain.riken.jp
Jane GinsborgProfessor of Music Psychology, Royal Northern College of MusicAdresse e-mail validée de rncm.ac.uk
Benjamin Glenn SchultzUniversity of MelbourneAdresse e-mail validée de unimelb.edu.au
E Glenn SchellenbergProfessor of Psychology, University of Toronto MississaugaAdresse e-mail validée de utoronto.ca
Laura BishopPostdoctoral Research Fellow, RITMO, University of OsloAdresse e-mail validée de ofai.at
Lynn KempWestern Sydney UniversityAdresse e-mail validée de westernsydney.edu.au
Caroline JonesUniversity of Western SydneyAdresse e-mail validée de uws.edu.au

Catherine J (Kate) Stevens

MARCS Institute for Brain, Behaviour & Development, Western Sydney University

Adresse e-mail validée de westernsydney.edu.au - Page d'accueil

Memory music dance HMI trust


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
A review of the applicability of robots in education O Mubin, CJ Stevens, S Shahid, A Al Mahmud, JJ Dong Journal of Technology in Education and Learning 1 (209-0015), 13, 2013	537	2013
Neurocognitive control in dance perception and performance B Bläsing, B Calvo-Merino, ES Cross, C Jola, J Honisch, CJ Stevens Acta psychologica 139 (2), 300-308, 2012	285	2012
Tinnitus and its effect on working memory and attention S Rossiter, C Stevens, G Walker Journal of speech, language, and hearing research, 2006	205	2006
Music, movement and marimba: An investigation of the role of movement and gesture in communicating musical expression to an audience M Broughton, C Stevens Psychology of Music 37 (2), 137-153, 2009	144	2009
Severe tinnitus and its effect on selective and divided attention: acufeno severo y sus efectos sobre la atención selectiva y dividida C Stevens, G Walker, M Boyer, M Gallagher International journal of audiology 46 (5), 208-216, 2007	142	2007
Children's implicit knowledge of harmony in Western music EG Schellenberg, E Bigand, B Poulin‐Charronnat, C Garnier, C Stevens Developmental science 8 (6), 551-566, 2005	135	2005
Thinking in action: thought made visible in contemporary dance C Stevens, S McKechnie Cognitive Processing 6 (4), 243-252, 2005	126	2005
Meaning from environmental sounds: types of signal-referent relations and their effect on recognizing auditory icons. P Keller, C Stevens Journal of experimental psychology: Applied 10 (1), 3, 2004	108	2004
Music perception and cognition: A review of recent cross‐cultural research CJ Stevens Topics in cognitive science 4 (4), 653-667, 2012	100	2012
Waiting in the wings: A study of early career academic researchers in Australia P Bazeley, L Kemp, K Stevens, C Asmar, C Grbich, H Marsh, R Bhathal Canberra, University of Western Sydney, Macarthur, 1996	98	1996
Universals in music processing C Stevens, T Byron The Oxford handbook of music psychology, 14-23, 2009	85	2009
Choreographic cognition: The time-course and phenomenology of creating a dance C Stevens, S Malloch, S McKechnie, N Steven Pragmatics & Cognition 11 (2), 297-326, 2003	83	2003
Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance CJ Stevens, E Schubert, RH Morris, M Frear, J Chen, S Healey, ... International Journal of Human-Computer Studies 67 (9), 800-813, 2009	73	2009
Thinking in four dimensions: Creativity and cognition in contemporary dance R Grove, C Stevens, S McKechnie Thinking in Four Dimensions: Creativity and Cognition in Contemporary Dance, vii, 2005	70	2005
Expert, intermediate and novice performance during simulated pre-flight decision-making M Wiggins*, C Stevens, A Howard, I Henley, D O'Hare Australian Journal of Psychology 54 (3), 162-167, 2002	64	2002
Copepod omnivory in the North Water Polynya (Baffin Bay) during autumn: spatial patterns in lipid composition CJ Stevens, D Deibel, CC Parrish Deep Sea Research Part I: Oceanographic Research Papers 51 (11), 1637-1658, 2004	61	2004
Unspoken knowledge: Implicit learning of structured human dance movement. T Opacic, C Stevens, B Tillmann Journal of Experimental Psychology: Learning, Memory, and Cognition 35 (6), 1570, 2009	59	2009
Auditory warnings, signal-referent relations, and natural indicators: Re-thinking theory and application. A Petocz, PE Keller, CJ Stevens Journal of experimental psychology: Applied 14 (2), 165, 2008	55	2008
Perceiving dance schematic expectations guide experts' scanning of a contemporary dance film C Stevens, H Winskel, C Howell, LM Vidal, C Latimer, J Milne-Home Journal of Dance Medicine & Science 14 (1), 19-25, 2010	54	2010
Synthesized speech intelligibility and persuasion: Speech rate and non-native listeners C Jones, L Berry, C Stevens Computer Speech & Language 21 (4), 641-651, 2007	54	2007

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