Catherine J (Kate) Stevens

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Emery SchubertUniversity of New South WalesVerified email at unsw.edu.au
Peter E. KellerMARCS Institute for Brain, Behaviour & Development, University of Western SydneyVerified email at westernsydney.edu.au
Denis BurnhamWestern Sydney UniversityVerified email at westernsydney.edu.au
Kirk N. OlsenPostdoctoral Researcher, Macquarie UniversityVerified email at mq.edu.au
Mary C. BroughtonSchool of Music, University of QueenslandVerified email at uq.edu.au
Mark WigginsProfessor of Organisational Psychology, Macquarie UniversityVerified email at mq.edu.au
Guillaume GibertLecturer, ECAMVerified email at ecam.fr
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISVerified email at westernsydney.edu.au
Beatriz Calvo-MerinoCity, University of LondonVerified email at city.ac.uk
Christian KroosFraunhofer Institute for Integrated CircuitsVerified email at iis.fraunhofer.de
Emily S. CrossMacquarie University & University of GlasgowVerified email at glasgow.ac.uk
Christopher (Chris) StantonUniversity of Western Sydney, MARCS InstituteVerified email at uws.edu.au
Arman AbrahamyanData ScientistVerified email at cba.com.au
Yuka O. OkazakiRIKENVerified email at brain.riken.jp
Jane GinsborgProfessor of Music Psychology, Royal Northern College of MusicVerified email at rncm.ac.uk
Benjamin Glenn SchultzUniversity of MelbourneVerified email at unimelb.edu.au
E Glenn SchellenbergProfessor of Psychology, University of Toronto MississaugaVerified email at utoronto.ca
Laura BishopPostdoctoral Research Fellow, RITMO, University of OsloVerified email at ofai.at
Lynn KempWestern Sydney UniversityVerified email at westernsydney.edu.au
Caroline JonesUniversity of Western SydneyVerified email at uws.edu.au

Catherine J (Kate) Stevens

MARCS Institute for Brain, Behaviour & Development, Western Sydney University

Verified email at westernsydney.edu.au - Homepage

Memory music dance HMI trust


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A review of the applicability of robots in education O Mubin, CJ Stevens, S Shahid, A Al Mahmud, JJ Dong Journal of Technology in Education and Learning 1 (209-0015), 13, 2013	538	2013
Neurocognitive control in dance perception and performance B Bläsing, B Calvo-Merino, ES Cross, C Jola, J Honisch, CJ Stevens Acta psychologica 139 (2), 300-308, 2012	285	2012
Tinnitus and its effect on working memory and attention S Rossiter, C Stevens, G Walker Journal of speech, language, and hearing research, 2006	205	2006
Music, movement and marimba: An investigation of the role of movement and gesture in communicating musical expression to an audience M Broughton, C Stevens Psychology of Music 37 (2), 137-153, 2009	145	2009
Severe tinnitus and its effect on selective and divided attention: acufeno severo y sus efectos sobre la atención selectiva y dividida C Stevens, G Walker, M Boyer, M Gallagher International journal of audiology 46 (5), 208-216, 2007	142	2007
Children's implicit knowledge of harmony in Western music EG Schellenberg, E Bigand, B Poulin‐Charronnat, C Garnier, C Stevens Developmental science 8 (6), 551-566, 2005	135	2005
Thinking in action: thought made visible in contemporary dance C Stevens, S McKechnie Cognitive Processing 6 (4), 243-252, 2005	126	2005
Meaning from environmental sounds: types of signal-referent relations and their effect on recognizing auditory icons. P Keller, C Stevens Journal of experimental psychology: Applied 10 (1), 3, 2004	109	2004
Music perception and cognition: A review of recent cross‐cultural research CJ Stevens Topics in cognitive science 4 (4), 653-667, 2012	101	2012
Waiting in the wings: A study of early career academic researchers in Australia P Bazeley, L Kemp, K Stevens, C Asmar, C Grbich, H Marsh, R Bhathal Canberra, University of Western Sydney, Macarthur, 1996	98	1996
Universals in music processing C Stevens, T Byron The Oxford handbook of music psychology, 14-23, 2009	85	2009
Choreographic cognition: The time-course and phenomenology of creating a dance C Stevens, S Malloch, S McKechnie, N Steven Pragmatics & Cognition 11 (2), 297-326, 2003	83	2003
Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance CJ Stevens, E Schubert, RH Morris, M Frear, J Chen, S Healey, ... International Journal of Human-Computer Studies 67 (9), 800-813, 2009	73	2009
Thinking in four dimensions: Creativity and cognition in contemporary dance R Grove, C Stevens, S McKechnie Thinking in Four Dimensions: Creativity and Cognition in Contemporary Dance, vii, 2005	70	2005
Expert, intermediate and novice performance during simulated pre-flight decision-making M Wiggins*, C Stevens, A Howard, I Henley, D O'Hare Australian Journal of Psychology 54 (3), 162-167, 2002	64	2002
Copepod omnivory in the North Water Polynya (Baffin Bay) during autumn: spatial patterns in lipid composition CJ Stevens, D Deibel, CC Parrish Deep Sea Research Part I: Oceanographic Research Papers 51 (11), 1637-1658, 2004	61	2004
Unspoken knowledge: Implicit learning of structured human dance movement. T Opacic, C Stevens, B Tillmann Journal of Experimental Psychology: Learning, Memory, and Cognition 35 (6), 1570, 2009	59	2009
Auditory warnings, signal-referent relations, and natural indicators: Re-thinking theory and application. A Petocz, PE Keller, CJ Stevens Journal of experimental psychology: Applied 14 (2), 165, 2008	55	2008
Perceiving dance schematic expectations guide experts' scanning of a contemporary dance film C Stevens, H Winskel, C Howell, LM Vidal, C Latimer, J Milne-Home Journal of Dance Medicine & Science 14 (1), 19-25, 2010	54	2010
Synthesized speech intelligibility and persuasion: Speech rate and non-native listeners C Jones, L Berry, C Stevens Computer Speech & Language 21 (4), 641-651, 2007	54	2007

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