| The urban sublime in American literary naturalism C Den Tandt University of Illinois Press, 1998 | 178 | 1998 |
| From craft to corporate interfacing: rock musicianship in the age of music television and computer-programmed music CD Tandt Popular Music and Society 27 (2), 139-160, 2004 | 34 | 2004 |
| Masses, Forces, and the Urban Sublime C Den Tandt The Cambridge Companion to the City in Literature, 126-136, 2014 | 32 | 2014 |
| Amazons and Androgynes: Overcivilization and the Redefinition of Gender Roles at the Turn of the Century C Den Tandt American Literary History 8 (4), 639-664, 1996 | 22 | 1996 |
| Cyberpunk as Naturalist Science Fiction C Den Tandt Studies in American Naturalism 8 (1), 2013 | 20 | 2013 |
| Pragmatic Commitments: Postmodern Realism in Don DeLillo, Maxine Hong Kingston and James Ellroy C Den Tandt Beyond Postmodernism. Reassessments in Literature, Theory, and Culture, 121-41, 2003 | 12 | 2003 |
| American Literary Naturalism C Den Tandt A Companion to American Fiction 1865–1914, 96-118, 0 | 12* | |
| Refashioning American Literary Naturalism: Critical Trends at the Turn of the Twenty-First Century C Den Tandt The Oxford Handbook of American Literary Naturalism, 404-23, 2011 | 10 | 2011 |
| Invoking the Abyss: The Ideologies of the Postmodern Sublime C Den Tandt Revue belge de philologie et d'histoire 73 (3), 803-821, 1995 | 8 | 1995 |
| Oceanic Discourse, Empowerment and Social Accommodation in Kate Chopin's The Awakening and Henrik Ibsen's The Lady from the Sea C Den Tandt Union in Partition: Essays in Honor of Jeanne Delbaere. Ed. Marc Maufort., 71-80, 1997 | 7 | 1997 |
| Staccato, Swivel and Glide: A Poetics of Early Rock ‘n’ Roll Lyrics C Den Tandt Sound as Sense: Contemporary US poetry &/in Music. Eds. Michel Delville et …, 2003 | 6 | 2003 |
| La Culture rock entre utopie moderniste et construction d'une industrie alternative C Den Tandt Volume! 9 (2), 15-30, 2013 | 5 | 2013 |
| The realist underground: Referential practices at the turn of the twenty-first century C Den Tandt BELL-Belgian journal of english language and literatures, 67-79, 2006 | 5 | 2006 |
| Men at Work: Musical Craftsmanship, Gender, and Cultural Capital in Classic Rock C Den Tandt Reading Without Maps, 379-99, 2005 | 5 | 2005 |
| Postmodern Realism: Is There Room for Referential Cultural Practices in a Postmodern Context? C Den Tandt BELL (Belgian Essays on Language and Literature) 1999, 41-53, 1999 | 5 | 1999 |
| Down These (Gender Divided and Ethnically Fractured) Mean Streets: The Urban Thriller in the Age of Multiculturalism and Minority Writing C Den Tandt Ghent Urban Studies Team. The Urban Condition: Space, Community and Self in …, 0 | 5 | |
| Dancing in the Virtual Streets: Urban Space in Music Videos, from Neighborhood to Technopolis C Den Tandt Storytelling: A Critical Journal of Popular Narrative 5 (3), 199-212, 2006 | 4 | 2006 |
| McLuhan, Pynchon, Gibson: The Informational Metropolis from the Global Village to Cyberspace C Den Tandt Living With America, 1946-1996. Eds. Rob Kroes et Cristina Giorcelli., 103-12, 1997 | 4 | 1997 |
| From'Web of Life'to Necropolis: An Ecocritical Perspective on Urban Vitalism in Late-Nineteenth and Early-Twentieth-Century Anglo-American Poetry C Den Tandt Comparative American Studies An International Journal 7 (2), 98-110, 2009 | 3 | 2009 |
| Return to Mimesis? Eric Auerbach and Georg Lukács in the Wake of Postmodernity C Den Tandt Return to Postmodernism: Theory, Travel Writing, Autobiography. Ed. Klaus …, 2005 | 3* | 2005 |
Bart EeckhoutProfessor of English and American Literature, University of AntwerpAdresse e-mail validée de uantwerpen.be
